When I decided to begin this project the first album that came to my mind was Aquemini by Outkast. No album challenged me more around the time when I decided that music was really THAT important to me. Not only was it a challenge but I didn’t like it. It was just weird for 1998. There were no soul samples and boom bap drum breaks like the traditional east coast rap that I was listening to at the time. They had live instrumentation on a lot of the tracks and…gasp…a harmonica solo on the first single. These songs were even different then the ones on the previous album ATLiens. How could they screw up a proven winning formula (pimps, ho’s, players, and Cadillac’s)? I couldn’t tell if there had been a actual conscious decision to change the style up or wether these guys were doing drugs only aliens had access to. The album stood out in’98 because of the live instruments, spiritual/astrology themes, rappers singing (now every rapper sings even if they can’t sing), and a member who decided to get weirder and weirder by each album. “Why is he wearing football padding and multiple color frizzy pants?” No one could explain any of it to me. Then my rap bible and I think everyone else’s at the time “The Source” gave the album 5 Mics (when 5 mics was credible) and then we were all really confused. What I didn’t see as a kid and immature appraiser of art was that Outkast was creating their own paradigm and never looking back.